I don’t believe Mab was part of the original prototype for the story, but when I revised the concept, she was added in to be a counterbalance to Corona on Zephyr’s side. (This makes her a “rook” character in the series’ chess conceit.) My primary influences for the character and scenario were Gargoyles, the 1998 TV mini-series Merlin and Shakespeare’s A Midsummer Night’s Dream. I would imagine Mab’s role as the primary antagonist in Merlin inspired me to use her over Titania. I’m more liable to associate Titania with the role of Oberon’s Queen, but I realized there was no reason not to have both, which served as an excellent source of conflict. While neither Oberon nor Mab were strictly monogamous prior, Oberon never elevated any of his flings to equal standing with Mab. That’s the main thing that sticks in her craw. It also doesn’t help that she had grown complacent in their marriage and stopped going out of her way specifically to please her husband, something Titania (at the point we’re introduced to her, at least) is very adept at. Now, Oberon is a terrible person, short-tempered, faithless and cruel, but there aren’t many Fae in the upper echelons of their society that embody many virtues we recognize. Think of decadent aristocracy at its most detached and you get a decent feel for Oberon’s court. While I’d like to think Mab elicits some sympathy, it should be noted that she’s not that admirable of a character. It’s just that she’s on the receiving end of the kind of cruelty she would regularly dish out herself and is never fully cured of her haughtiness and vindictiveness.

Now let’s dive right into the likely controversy that may be sparked around her section of the story. Let’s make no bones about it. Rowland raped her and there’s no excusing it. I wanted Rowland to sire Puck via Mab and I envisioned her trying to seduce him in a ploy to be free of her chains, and that ploy failing because, honestly, Rowland isn’t dumb enough to release an extremely dangerous High Faerie who has repeatedly expressed her intention to kill him just so he can have a supposedly transcendental sexual encounter. I found myself stuck, though, as I realized that this would destroy just about any sympathy Rowland might have as a character. (He’s got plenty of bad points, but it’s not like he’s without redeeming value.) This led me to come up with the idea of the madness that took hold of Mab, both a natural side-effect of her imprisonment and also a metaphysical thing due to the Fae’s reliance on the natural spirits to sustain them. (Things like cut stone and wood lose their vital essence, for instance, making human settlements basically dead zones for the Fae.) This drove her to desperation and I wanted to establish a certain closeness between her and Rowland that ends up being exploited. Yes, she did solicit him initially, but she didn’t consent under the circumstances that followed. I then wanted to have Rowland show indirect signs of guilt after the fact but I also thought Mab showing her utter contempt for him was important too. And, yes, in case you were wondering, all this was allowed to happen according to Oberon’s design. While Rowland deserves guilt for raping Mab, Oberon is vastly worse for orchestrating the circumstances for his wife to be enslaved and raped just to teach her a lesson. Yeah, he’s a real scumbag.

I did like contrasting Mab with Simona. Here you have two women in Rowland’s service, both far more long-lived and powerful to justify serving under him, one who despises him and the other who loves him to the point of fanaticism. In the end, though, it’s the one who hates him who bears him a son, even if he never knows the son in question. (Though as noted in the text, Rowland did regret never consummating his relationship with Simona after she was gone. It was purely for political concerns that he kept his hands off her and you might argue that his pent-up unresolved feelings for Simona got displaced onto Mab when she tried to seduce him.) For Rowland’s part, he cared for both of them in his own clumsy way. I’m sure you can sympathize with the poor mortal woman who found herself being stacked against those two.

I’m not entirely sure I did full justice to the character of Mab in the brief seven chapters I gave myself to work with, but it was an interesting effort all the same. Next time we’ll be looking at our final lead in TTWC3, the red warlord Akasame. Stay tuned.

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